Dika Ofoma and Innocent Ekejiuba

Filmmaker Dika Ofoma and curator Innocent Ekejiuba discuss Ofoma’s film A Quiet Monday, which faces living in Nigeria and what happens when governments create a vacuum that allows violence to fester.

by Alper Turan on Kübra Uzun

For this PROTODISPACH, Alper Turan writes about how Kübra Uzun asserts her agency and shares knowledge of the past four decades of LGBTQIA+ history in Turkey including the artistic lineage of Bülent Ersoy, Zeki Müren, and Huysuz Virjin (Cranky Virjin). Q-BRA’s unanswered question is on the lips of people in precarious positions in many countries today: “Is it harder to leave, or harder to stay?”

Gülsün Karamustafa and Alex Klein

In this conversation Gülsün Karamustafa and Alex Klein delve into the formative years of Karamustafa’s trajectory shaped by the geopolitical landscape, political engagement, and artistic tools for resistance.

Mayra Santos-Febres

Poet and writer Mayra Santos Febres contextualizes the survival of Afro-Borinquen artmaking within legacies of colonialism in Puerto Rico and the Caribbean, highlighting liberatory methodologies and refusals to be unseen.

Himali Singh Soin

In a time of profound loss, artist Himali Singh Soin offers a ballad and manifesto on spaces of occluded clarity, and the relationships between human and non-human survival therein. She suggests this inbetween as a zone of safety, opacity, and potential for permeable binaries and selves.

Ana María Millán

Artist Ana María Millán presents a visual universe to combat the isolation of ideological purity, stealing the world-making of video games to enact alternate realities.

Basel Abbas and Ruanne Abou-Rahme

Abbas and Abou-Rahme combine video, music, and poems on the regenerative cycles of destruction and regrowth, by both nature and human hands.

Chitra Ganesh

Artist Chitra Ganesh maps how the visual language of childhood is produced by powerful ideologies, unpacking a nearly ubiquitous Indian food chart as evidence of the Indian government’s attempts to systematically erase a multivalent, secular, and diverse India

Simone Leigh and Rashida Bumbray

Simone Leigh and Rashida Bumbray discuss an intertwined practice of building cultural infrastructures with care, friendship, and generosity, with Laura Raicovich

Mel Chin

Thirty years after Mel Chin pointed a rifle at the heads of an audience assembled for a public talk, the artist re-examines this eerily prescient work in our current moment of resurgent fascisms, rampant viral scares—both medical and digital—and the need to reimagine everything.

Jordan Deal

The artist Jordan Deal reflects on the sanctuary and peril of public gathering.

Homa and Saba*

How a group of transnational artists are using archiving and accelerated storytelling as radical acts of resistance.

Kenya (Robinson)

Through a hyperlinked lyric essay, and a month-long social media takeover, Kenya (Robinson) explores the relationship between Black people and water—both fresh and saltwater—as an essential part of the storytelling of US histories.

Ximena Garrido-Lecca & Ishmael Randall-Weeks

Ximena Garrido-Lecca & Ishmael Randall-Weeks describe a process of building a structure communally out of materials brought by participants, revealing the strength of collective memory and its capacity to unveil corruption and lies in the context of Peru’s recent and deep pasts.

Jorge González and Angela Brown

An email exchange accompanied by a diary of images and texts, reflects on and practices the relearning of traditional crafts in Boriquén (Puerto Rico) as a recuperative strategy for colonial erasure of land rights, a subject increasingly raw and urgent as climate crisis deepens.

Alper Turan with B. Toprak Karakaya, Leman Sevda Darıcıoğlu, and Koli Art Space (Yasemin Kalaycı & Elçin Acun)

The illusory victimhood of ultranationalists draws passionate responses from queer culture workers from Turkey who are committed to undoing their hate.

Tiffany Sia with Emilie Sin Yi Choi and Chan Tze-Woon

Three Hongkongers got together in July 2022 to talk about the relationships between documentary filmmaking, protest, who gets to record history, and the challenges of working and screening films under the gaze of the state.